Vital Tech Tones

[El lobee!]

escucharon alguno de los dos volumenes de ese disco?
escuchenlo, son 3 tipos MUY grozos que tocan como fussion, no se.. es exelente

scott henderson (viola)

steve smith (bata)

Victor Wooten (bajo)

escuchenlo, el tipo del bajo es demasiado envidiable

[karakatoa]

muygrossa banda
wooten la rompe mal
si no lo tienen y les gusta la buena musica,bajenlo

[Tinto de verano]

No la escuché.. justo me estoy bajando "bass day" de wooten

Gracias por la recomendación...

Tribal tech tambien es bastante recomendable (Henderson, Kinsey, Willis, Covington)

[El JuanZo]

http://www.egelforum.com.ar/forum/showthread.php?t=46252

son una maquina
crash course es el tema mas zarpado

[karakatoa]

si,tambien me gusta mucho esa banda

[El_Faka!!!]

Escuchen el tema "The Litigants" !!! ultra zarpadooooooo

[karakatoa]

Vital Tech Tones

80mbs/192k/1998

Track list

07:00 Crash Course
05:35 Snake Solo
08:55 Dr. Hee
09:39 Everglades
05:22 Two For One
04:09 King Twang
07:51 The Captors
05:44 Giant Steps
05:49 Lie Detector



CD Information

Scott Henderson - Guitar, Production
Steve Smith - Drums, Production
Victor Wooten - Bass, Throat Singing on "The Captors", Production
Mike Varney - Production
James Murphy - Engineering
Wally Buck - Engineering
T.J. Helmerich - Mixing
Scott Hull - Mastering
John Waxman - Legal Work
Dave Stephens - Graphic Design
Pat Johnson - Photography
David Bendett - Management





Recorded at Neverland Studio, Marin County, CA, January 18-27, 1998.

Mixed at HAM Studios, Musician`s Institute, Hollywood, CA.

Additional mixing assistance by T.J.`s students.

Mastered at Masterdisc, NYC.

webiste

http://www.scotthenderson.net/

Scott Henderson - Guitar, Steve Smith - Drums, Victor Wooten - Bass

Vital Tech Tones finds guitarist Scott Henderson chasing the voodoo down with mercurial bassist Victor Wooten (known for his scintillating slap-style as a member of Bela Fleck's Flecktones), and veteran jazz / stadium rocker, Steve Smith. The trio has assembled a wide ranging, often blues-based arrangement of group compositions / jams, and it proves an engaging showcase for Henderson's extreme talent, both in terms of solos and rhythm work. Drummer Steve Smith ably anchors Wooten's miraculous assortment of rumbling, popping, pyrotechnic baselines, most evident in tunes like "Snake Soda."

Tribal Tech fans will appreciate a new, bluesy version of "Dr. Hee," and the track "Crash Course" will clearly appeal to Allan Holdsworth devotees, as it recalls Holdsworth's IOU-era guitar trio arrangements. Perhaps most delightful is the angular interpretation of Coltrane's "Giant Steps," which is a worthy if slightly reckless update of that classic standard. Henderson is one of the few original electric guitar soloists capable of weaving an intelligent flurry of 128th notes with compelling emotional intensity and inventiveness, possessing ideas to match to his level of phrasing and technique. Wooten and Smith are comparable on their instruments, which means this trio typically hits its stride with warp-speed abandon.

Vital Tech Tones encompasses playing and extended soloing which straddles between the brilliant and the boisterous. While for some, the high-octane musical rapport here will stray into the territory of enlightened musical indulgence, Henderdson undoubtedly commands one of the premier guitar trios of recent memory. But that's just scratching the surface, as both Wooten and Smith's jazz and rock vocabulary demonstrate that no matter what the musical context, they're exceptionally creative and technically at a level few of their contemporaries can match.

~ Christopher Hoard - www.allaboutjazz.com

Guitarist Scott Henderson, drummer Steve Smith and bassist Victor Wooten have teamed up to show that great fusion lives, on Vital Tech Tones. There's a lot of electricity generated when these three giants get together. Yes, there are chops galore, so the weak-hearted among you might want to stay on the sidelines. For those brave enough, however, there await blazing grooves, blistering guitar and virtuoso solos that must be heard to be believed. From the heavy opening groove of "Crash Course" it is evident this project was not meant for the Adult Contemporary Happy Jazz crowd. From buzz saw-like power chords to soaring lead runs, Henderson's guitar work is stunning. Smith's thundering solos are evidence enough why he is at the top of his field, and Wooten is the most acrobatic bassist you'll find in the fusion firmament. The slamming "Snake Soda" features all three in a masterful performance of complex meters and solo feats of strength. Other powerful tracks include the slinky "Everglades," the Steve Morse sound-alike "King Twang" and the coolest rendition of Coltrane's "Giant Steps" in a long time. Instrumental Guitar (Electric/Fusion), total running time, 60:14

Samples
http://www.amazon.com/exec/obidos/tg/detai...821519?v=glance





KARAKATOA

[El JuanZo]

1. VTT - Victor Wooten
2. Subzero
3. Litigants
4. Puhtainin' Thu...
5. Drums Stop, No Good
6. Catch Me If U Can
7. Nairobe Express
8. Who Knew?
9. Time Tunnel
10. Chakmool-Ti

Pagina oficial de victor wooten

https://www.victorwooten.com

aca pueden escuchar todos los temas...

http://www.amazon.com/exec/obidos/tg/detail/-/B00004T48M/002-4727539-6552011?v=glance

[karakatoa]

ese tambien lo tengo
esta grosso

[RadiO]

downloading

[Theobromina]

jauajauajauaju lei Vitel Tone

estoy hecha mierda

[Tinto de verano]

jauajauajauaju lei Vitel Tone

estoy hecha mierda

jajajajajajajajajajajajajajajajajajajaja

[karakatoa]

Tribal Tech - Illicit

Illicit was Tribal Tech's 1992 spit-in-the-face to corporate radio and record companies who would have the public believing "light jazz" is really fusion. The opening track, "The Big Wave," is a convincing spoof of a light jazz radio station found in any big city in the United States. The track begins with a cheerily cheesy tune, which sounds like something that might be played on one of the many 'wave' stations. Then the drums increase in tempo and volume until the original melody is obliterated, whereupon the band launches into some very loud, very edgy and highly syncopated playing--the hallmark of Tribal Tech. Illicit features two improvisational numbers, "Riot" (named for the L.A. riots happening nearby at that time) and "Aftermath" (also pointing out the riot's devistation). Bottom line--this album sounds like a live-in-the-studio record, with a raw, cutting sound and less slickness in the overall production. Highly recommended to all fusion fans. Instrumental Guitar (Electric/Fusion), total running time, 63:40

Bajen este q es increible

[Tinto de verano]

Karakatoa , te amaría demasiado si estubiese en mi otra maquina semi-decente en la cual puedo usar programas p2p...

Hace un poco mas de una semana q uso esta "mierda" de petium 1 con NADA de espacio en el rígido y no puedo bajar un carajo...

[Tinto de verano]

La puta madre..ahora lo relaciono con Vitel Tone